Julia Perry

Julia Amanda Perry (25 March 1924 – 24 April 1979) was an American classical composer and teacher who combined European classical and neo-classical training with her African-American heritage.

Born in Lexington, Kentucky, as a child Perry moved with her family to Akron, Ohio. She went on to study voice, piano, and composition at the Westminster Choir College 1943–48. It was there that she received her B.M. and M.M. She continued on to her graduate studies at Berkshire Music Center in Tanglewood, where she was a student of Luigi Dallapiccola, and then later studied at the Juilliard School of Music. Around this time she was awarded her first Guggenheim Fellowship.

In 1952, Perry began studying under Nadia Boulanger in Paris, during which time she was awarded the Boulanger Grand Prix for her Viola Sonata. Soon after she was awarded her second Guggenheim Fellowship, which she used to return to Italy and continue her studies with Dallapiccola.

Perry also studied conducting at the Accademia Chigiana in Siena during the summers of 1956 and 1957, and in 1957 was sponsored by the U.S. Information Service to conduct a series of concerts in Europe.

After a total of five and a half years in Europe, Julia Perry returned to America and continued her work in composition. On return she also took up teaching at Tallahassee's Florida Agricultural and Mechanical College in 1967 and was also a visiting artist at Atlanta College.

Perry is buried in Glendale Cemetery in Akron, Ohio; the birth year on her tombstone, 1927, is incorrect.

Some of Julia Perry's early compositions are heavily influenced by African American music. In 1951 Free at Last and I'm a Poor Li'l Orphan were published, both of which showcased her incorporation of black spiritual music. She also composed Song of Our Savior for the Hampton Institute Choir, which used Dorian mode and a hummed ostinato with call and response phrases throughout the piece.

In other works, Perry began branching out in her composition technique and experimenting with dissonance. One of her most notable works, Stabat Mater (1951), is composed for solo contralto and string orchestra. It incorporates dissonance, but remains within the classification of tonal music. These pieces incorporate more modern compositional techniques, such as quartal harmony, which voices chords in fourths rather than thirds and fifths. It was recorded on CRI, by the Japan Philharmonic Symphony Orchestra, William Strickland, conducting.

Other instrumental works by Julia Perry include Requiem for Orchestra (also known as Homage to Vivaldi because of themes inspired by composer Antonio Vivaldi), a number of shorter orchestral works; several types of chamber music; a violin concerto; twelve symphonies; and two piano concertos. Her vocal works include a three-act opera and The Symplegades, which was based on the 17th century Salem witchcraft panic. The opera took more than ten years to write and at the time of her death, the opera had yet to be completed. She also composed an operatic ballet with her own libretto, based on Oscar Wilde's fable The Selfish Giant, and in 1976 composed Five Quixotic Songs for bass baritone in and Bicentennial Reflections for tenor solo in '77.

Julia Perry's early compositions focused mostly on works written for voice, however, she gradually began to write more instrumental compositions later in life. By the time she suffered from a stroke in 1971, she had written twelve symphonies.

Biography taken from Wikipedia.