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Ailís Ní Ríain

b. 1974

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Ailís Ní Ríain is an Irish composer and writer who aims to produce work that challenges, provokes and engages. Her work has been performed across Europe, in North and South America and Japan and broadcast internationally.

Her artistic interests are diverse and combined with an unwavering desire to push and develop her artistic practice through each new project or commission. In 2016 she was awarded the prestigious Paul Hamlyn Award for Composers. Her Debut Disc portrait album was released by NMC Recordings in 2023 and received many favourable reviews.

Ailís works broadly in the areas of concert music, music installation and music­-theatre and has collaborated with writers, dancers, visual artists, filmmakers, technologists and theatre artists.

Ailís is deaf/hard of hearing and some of her work has referenced these themes working with DadaFest, Unlimited, Arts & Disability Ireland, Shape Arts, Drake Music and Outside In. She is a long-time advocate for equality, diversity and inclusion in the arts and a board member of Disability Arts Online. In 2021 she became a board director of the Ivors Academy.

Recent projects include a commission for Dame Evelyn Glennie and the New London Chamber Ensemble, the BBC Philharmonic, the RTÉ Concert Orchestra, RTÉ ConTempo String Quartet, Wired a full-length disabled-dance-theatre production in Chicago, London Sinfonietta, the Royal Academy of Music and the Royal Liverpool Philharmonic Orchestra.

She has been awarded international fellowships, associate artist positions and residences at Yaddo, USA, the Atlantic Center for the Arts in Florida, Tyrone Guthrie Centre, Centre Culturel Irlandais in Paris, The Ragdale Foundation in Illinois, ArtOMI in New York and Bogliasco in Italy.

Arts and heritage, public art and site-specific and immersive music installation have been part of Ní Ríain’s practice since her first site-responsive work for a derelict cotton mill in Manchester in 2006.

Embedding contemporary music in unexpected settings, creating resonance and atmosphere through a combination of music, history, architecture and community are key touchpoints of her vision. Site-specific music-installations include a lighthouse, a K6 telephone box, a dis-used former cotton mill, the Brontë’s family home, a castle keep, a railway station accumulator tower and a high-street shop unit.

As a writer of words for stage, Ailís work is published by Nick Hern and Bloomsbury and has been translated into French, German and Swedish and produced in Ireland, UK, New York, Germany and Sweden. Her work in French is represented by L’Arche

Ailís is grateful to the Irish Arts Council, the PRS Foundation, Unlimited, Arts Council England, the Paul Hamlyn Foundation, the RVW Trust and the Hinrichsen Foundation for supporting her work.

Biography taken from composer’s website.
Photo: Emile Holba

The Last Time I Died | 2002 | 8 mins

Violin, Piano, Percussion

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Consent #7 | 2017 | 7 mins

Bass Flute And Bass Clarinet

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DON'T! | 2000 | 5 mins

Bass Clarinet And Cello

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End with Words of Hope | 2010 | 9 mins

Soprano (voice) And Clarinet (Optional Speaker)

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Exit (A music theatre work in three scenes) | 2003

Mixed Vocal Sextet, Flute, Clarinet, Violin, Guitar, Harp, Vibraphone, Double Bass/Electric Bass, Percussion

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FIRST ABSOLUTE EXECUTION | 2004 | 11 mins

Bass Clarinet And Accordion

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I Used to Feel... | 2016 | 30 mins

Clarinet and Sign-Language Performer

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Orizzontale | 1997 | 9 mins

Violin, Clarinet, Cello, Piano, Percussion

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Parambassis | 2019 | 10 mins

Bass Clarinet And Recorders

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Reinventions | 2010 | 18 mins

Clarinet, Viola And Piano (Optional Speaker)

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The Dead Live | 2002

Piccolo, Oboe, Bass Clarinet, Bassoon, Horn, Cello, Double Bass, Piano, Harp, Percussion, 6 Pairs Of Glasses

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The Man Made of Rain | 1999 | 10 mins

Clarinet/Speaker And Piano

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